
“We’re entering unprecedented territory for a ski movie,” CP says as we roll up to the
Log Cabin in Big Bear, California. It’s early in the morning and Tanner is still asleep back at
Marc Frank Montoya’s The Block Hotel. He doesn’t need to be here yet, the crew of 12 still has a couple hours of setting up probably half a million dollars worth of rented lighting, dolly, sound, and camera equipment. Grips, gaffers, and boom operators—all dudes who regularly work in Hollywood—are slinging jargon faster then us bro-brahs can comprehend. When’s the last time you saw an effort like this to film a few seconds of opening scene for a ski movie. Never is the right answer.
Spending more money in one day—not even on shooting skiing—than most film companies spend in an entire season maybe gives you some kind of idea the scale that Tanner’s movie, “The Massive”, is on. The day wasn’t easy. The closed down diner had no A/C and the doors had to be shut to keep out traffic noise. Tanner goes through countless take and camera angles, and handles it like the handles the heat of the X Games Superpipe—like a champ.
Check out the rest of the shots from the day!Speaking of hot, heard about
Red Bull’s The Experiment? Going down Friday on the Santa Monica Pier.
Check it!
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